Nancy Callan & Mel Douglas

RESIDENCE
MAY 01 2023 -> MAY 20 2023
EXHIBITION
MAY 22 2023 -> AUGUST 30 2023
VERNISSAGE & PERFORMANCE SATURDAY MAY 20 2023 16h00

Hosted in residence at the Centre du Verre Contemporain in May, Nancy Callan (Seattle, USA) & Mel Douglas (Canberra, Australia) are two of today's most innovative glass artists. The duo collaborate to create objects that celebrate the relationship between form, pattern, balance and design.

NANCY CALLAN

Nancy Callan borrows her wondrous designs from nature: a spider's web, the vein of a leaf, the texture of ice... Observing these delicate fragments connects her deeply to the elemental forces of life. Callan sees herself as a collector of visual data, which she transcribes into glass language. Every detail can become a path of exploration in its own right, and the finished work is often far beyond its original source of inspiration.

Trained in Venetian glassmaking traditions, Callan develops her own language from the vocabulary formed by historic glass processes such as cane, incalmo and murrine.

Callan studied at the Massachusetts College of Art in the Northwest. She is also a key member of Maestro Lino Tagliapietra's team of glassblowers.
She has received numerous awards, including the Creative Glass Center of America Fellowship, and has held residencies at prestigious venues such as the Museum of Glass (Tacoma, WA), the Toledo Museum of Art (Toledo, OH), the Pittsburgh Glass Center (Pittsburgh, PA) and the Chrysler Museum (Norfolk, VA). She has organized advanced glassblowing workshops at Pilchuck Glass School in Stanwood, WA, Pittsburgh Glass Center, Haystack Mountain School in Deer Isle, ME and Penland School of Crafts in Ashville, NC.

Callan's work can be found in the permanent collections of:
Shanghai Museum of Art, Shanghai, China,
Museum of Glass, Tacoma, Washington,
Corning Museum of Glass, New York,
Muskegon Museum of Art, Muskegon, Michigan,
Museum of Northwest Art, La Connor, Washington,
as well as in numerous private collections.

MEL DOUGLAS

Throughout his career, Mel Douglas has pursued a body of work that has been hailed as "quiet, yet strangely energetic and animated" andas evidence of "his commitment to creative experimentation and evolution with the always challenging medium of glass".
Robert Cook, curator of twentieth-century art at AGWA,

Art Gallery of Western Australia

Douglas's work, with its minimalist aesthetic, probes the creative possibilities of volume and line, where form is not a support for drawing, but a three-dimensional drawing itself.
Utilizing the unique qualities of glass and its rich mark-making potential, Douglas uses line as a means to inform, define and enable three-dimensional space.

Mel Douglas has worked as an independent artist since 2000. In 2020, she was awarded a PhD from the Australian National University for her practical research into how glass can be understood through the aesthetics of drawing. Douglas has won numerous awards, including the Tom Malone Prize in 2020 and 2014, the Ranamok Glass Prize in 2002, and Ebeltolft's International Young Glass Award in 2007. In 2021, she was selected as an Art Group Creative Fellow at Canberra Glassworks. In 2019, the NGA's Robert and Eugenie Bell Decorative Arts and Design Fund chose one of Douglas's pieces as the first acquisition for its collection.

Douglas's work is held in private collections and public institutions worldwide, including:
Corning Museum of Glass, New York,
Chrysler Museum of Art, Norfolk, Virginia,
Ebeltoft Museum of Glass, Denmark,
National Gallery of Australia, Australia.